3.5. Thought more about this and I was wrong. Much of the reminiscence and introspection in nature are still indie nonsense but the premise and the ending capture and anticipate post-2008 anxieties and sense of being lost remarkably well.
“I am the orphan who won the lottery. 意念決定當(dāng)下可見的世界如果說人的恐懼來自缺失那戰(zhàn)勝孤獨(dú)和死亡的恐懼色戒 電影床戲完整就是活在當(dāng)下的愛和陪伴中The revival of extentialism, being in being rather than reaching anywhere, is what we have shared in current post pandemic and post war II.